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Sugarland: We are all changed by stage collapse

A packed house watched country duo Sugarland deliver an emotionally charged free concert meant to “celebrate” healing, life and music while serving as a tribute to the victims of a deadly stage collapse last August at the Indiana State Fair.

Singer Jennifer Nettles told Friday night’s crowd ? including some of those injured during the collapse ? that the tragedy had changed them all.

Nettles opened 2?-hour show at a packed Conesco Fieldhouse in Indianapolis by telling audience members they were in store for an emotional night that would also be part celebration. She also told fans that Sugarland had visited the fairgrounds, where high winds toppled scaffolding and stage rigging on Aug. 13 into a crowd awaiting a performance by the country duo. Seven people were killed.

“Obviously we are here in October ? we were supposed to do this show in August. Obviously, the stage is different, you are different and we are different. We are all changed by what happened then,” she said. “But we are going to try to give you the best show that we can and to celebrate healing with you and to celebrate life and music with you here tonight.”

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Sugarland’s free concert came 10 weeks after the stage collapsed as a storm neared the fairgrounds’ Grandstand a few miles north of Friday night’s venue. Attendees were asked to donate to a victim relief fund that already has raised nearly $1 million.

Indianapolis resident Sue Humphrey, whos5e 17-year-old son, Brad, was left partially paralyzed when he was struck by falling stage rigging that night, attended Friday’s concert with her son, who only decided Friday afternoon that he wanted to go.

Humphrey said Brad was unsure if the concert would be too emotional for him, but she said it was herself, and not her son, who got choked up at one point during the show as her mind cast back to August’s tragedy.

She said Brad, a high school senior who attended the concert after finishing his first week back at school since he was injured, held up fine. Humphrey and her son, who is now in a wheelchair, sat in the venue’s handicapped section.

Humphrey said she was touched when Nettles held up a flag near the end of the concert with the word “Heal” painted on it and then walked through the audience holding it aloft.

“She usually has ‘Love’ on that flag, but this time she spray-painted ‘Heal’ on it and I thought that was a very, very good touch to the show,” she said.

Rick Stevens, who served as an Army medic in Vietnam, said Sugarland “hit a home run” with Friday’s concert by balancing a remembrance of August’s stage collapse with several vibrant and powerful renditions of their songs, including “The Incredible Machine,” the name of their current album.

“I’ve seen them play five times and this is their most emotional, most heartfelt concerts I’ve seen. They just played their hearts out,” he said. “It was a slam dunk.”

The 57-year-old Terre Haute, Ind., resident was among those who rushed into the tangled metal rigging to help people crushed in August’s collapse. He said he saw people at Friday’s concert whom he had rescued.

Indiana-based musician Corey Cox and actress Rita Wilson performed before Sugarland took the stage.

Cox performed a few weeks ago at a benefit concert for a woman from his hometown of Pendleton, Ind. ? 30-year-old Andrea Vellinga ? who suffered severe head injuries in the stage collapse and still is struggling to recover. Vellinga’s family and friends attended the show.

He dedicated one of his songs, “That’ll Take You Back” to his hometown “and every other small town across this country who came together the week after Aug. 13 and prayed and supported” the victims of the collapse.

A psychiatrist who specializes in treating survivors of disasters said attending the concert could help some of the roughly 40 people injured in the stage collapse and relatives of those killed come to terms with the tragedy. But he said there’s a chance it could deal others a setback, dredging up intense and painful memories.

“It’s good that this benefit concert should happen, but it may be too hard for some people to go through it,” said Anthony Ng, interim chief medical officer at The Acadia Hospital in Bangor, Maine. “Obviously everybody’s different and there’s no right way or wrong way to do this.”

Copyright 2011 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Source: http://today.msnbc.msn.com/id/45088430/ns/today-entertainment/

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Japan’s digital divas take to the stage, wow fans (Reuters)

TOKYO (Reuters) ? Japan’s two newest stars have all the basics of being a pop idol down. Their dance moves are sharp, they sing without missing a beat, and their songs have made the top 10.

The only thing is, neither one of them exists.

The green-haired “Megpoid” and red-haired “Akikoloid” are both completely computer generated, the latest in a line of popular digital characters based on a voice-synthesizing program that allows users to create their own music.

They were the stars of a concert during the recent Digital Concept Expo in Tokyo.

Music made by “Vocaloid,” the voice-synthesizing program, and its spin-off characters, has made it into the top 10 on Japan’s weekly top hits list. But for those watching the concert, the performance was nothing more than thin air — unless they looked at the screen showing the augmented reality (AR) scene with the 3D characters inserted into live video.

The software used at the concert used a complicated system of sensors and motion capture technology to create the two singers, with sensors around the venue and on the cameras and the hands of two human back dancers interacting to make a composite that was inserted into the concert in real time.

Nothing about the singers is real. Even their high, perky voices are digitally generated, but sound no different from those of many a live Japanese pop singer.

“Though there have been a few concerts with the characters before, this is the first time they could interact with others, including the audience, and appear to move around in a true 3D space,” said Masaru Ishikawa, a Tokyo University researcher who helped create the system used for the concert.

“These sorts of concerts up to now have looked 3D but were actually using 2D technology. This is a world first in that the character is actually 3D and can sing and dance with others,” he said.

Fans were able to get in on the action by using poles with markers that allowed them to be detected by the augmented reality system and interact with the characters by waving the poles around during the concert. Depending on the song, these movements produced stars, sparkles and flames in the video.

“Seeing the concert with augmented reality made it seem like they were really there, even though they weren’t,” 24-year-old fan Keisuke Shindo said after watching the hour-long concert.

“It was also interesting to see how they added the effects and allowed the audience to interact using the poles. I think it’s pretty amazing.”

In addition to the 150 fans at the actual concert, more than 65,000 people watched on Nico Nico Douga, a Japanese video-sharing site similar to YouTube.

(Writing by Elaine Lies; Editing by Paul Tait)

Source: http://us.rd.yahoo.com/dailynews/rss/japan/*http%3A//news.yahoo.com/s/nm/20111028/lf_nm_life/us_japan_divas_digital

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